 |
Fig.1: 12th century plucked monochord, |
 |
Fig.2: Praetorius (1618). tromba marina with three
bourdons |
 |
Fig.3: Mersenne (1636). Two early tromba marinas. |
 |
Fig.4: H. Holbein (1547). Engraving showing tromba marina resting in door frame. |
 |
Fig.5: Nicolas de L'Armessin (17th century). Engraving satirizing the musicians'
dress. Manuscript over right arm shows example of tromba marina tablature. |
 |
Fig.6: Sir John Hawkins (1776). Drawing of tromba marina with lion's head and
bow, |
 |
Fig.7: 16th century dichord. |
 |
Fig.8: Nun playing tromba marina--of questionable authenticity. |
 |
Fig.9: Agricola (1528). Trumscheit und kleine Geigen. |
 |
Fig.10: Sirens (14th century), one of which holds an early dichord. |
 |
Fig.11: Froissard (15th century), Large dichord. |
 |
Fig.12: Brandt (16th century). "La Nef des fous." Jester playing
dichord, |
 |
Fig.13: 15th century trichord, |
 |
Fig.14: S. Virdung (1511). Trumscheit und clein Geigen. |
 |
Fig.15: Henricus Glareanus (l530), "Tympanischiza." |
 |
Fig,16: 17th century tromba marina resembling Prin's performance instrument |
 |
Fig.17: Tromba marina--probably from the 17th or 18th centuries. |
 |
Fig.18: Tromba marina--probably from the 17th or 18th centuries. |
 |
Fig.19: Schematic drawing of 17th century tromba marina from the Boston Museum
collection (Bessaraboff). |
 |
Fig.20: Schematic drawing by Prin of his tromba marina (Memoire). |
